EpisodeReel

Serial work: what each tool documents about continuity

Two rates for one episode, against one rate for the finished second

One page states a draft pass from one credit per second and an episode cut from three. The other states episodes composited from segments at one credit per second of output. They are the two priced cells in this column, and they price different things. As of 2026-09-22.

What a published unit lets a reader work outCredits per plan or per seat cannot be multiplied by anything a producer knows. Credits per second of finished picture can be multiplied by an episode length and an episode count in one step.Two ratesOne ratePublishedOne credit a second draft, three for thecutOne credit a second of outputWhat it impliesA review step between passesA single delivery operationNot pricedWhat the extra two buyA second attempt after a changeThe two priced cells in this column
Fig. 1 A unit is what turns a named stage into a line in a budget rather than a sales call.
AI Dramas and SceneMixer on the assembly step, point by point. Read 2026-09-12 and 2026-09-22.
Point at issueAI DramasSceneMixer
The published rateOne credit a second draft, three a second for the cutOne credit a second of finished output
What the price impliesA review step between the two passesA single delivery operation
What is not pricedWhat the extra two credits buyA second attempt after a change

Inclusion rule. Only cells carrying a unit appear here. A rate is recorded as published and never converted into a cost per episode, since episode length is a separate variable. Order. The two-tier rate first, then the single rate.

1A unit is what turns a feature into a line in a budget

Credits per plan, per project or per seat cannot be multiplied by anything a producer knows. Credits per second of finished picture can be multiplied by an episode length and an episode count in one step, without a sales call.

That is why this file records the unit rather than the price. Prices move quarterly; whether a page carries a unit at all is the thing that decides if a reader can work anything out.

2Two tiers describe a way of working, not just a price

A cheap pass and an expensive one only make sense if the cheap one is used to decide something. That implies generate roughly, look, approve, then spend, which is the correct discipline for serial work: most waste comes from delivering shots nobody reviewed.

A single rate makes no statement about review. It may still be cheaper in total, and the page does not offer any way to tell.

3Neither page prices the second attempt

Series work is mostly re-cutting. A four-second replacement in episode eleven either costs four seconds or costs the whole episode again, and the difference is an order of magnitude across a season.

No page read for this file states which. It is the sharpest question to ask of either vendor and the least likely to be volunteered.

4The wording both sides published

  • Assembling an episode
    A draft pass is stated to start at 1 credit per second and an episode cut from 3 credits per secondtwo rates on one pageAI Dramas, home page / recorded 2026-09-22
  • Assembling an episode
    Episodes are composited from segments, billed at 1 credit per second of outputa priced stepSceneMixer, price list / recorded 2026-09-12

5Sources

Read from the home page at aidramas.com and the published how-to guide at scenemixer.com, checked 2026-09-22 and 2026-09-12 respectively. The full column is on assembling an episode; the single readings behind this contrast are AI Dramas and SceneMixer. Other contrasts filed here: Pexo and SceneMixer, Topview and Anijam, Novi AI and Pexo.