Producing a season for several markets
One tool publishes 15 named languages covering interface, working documents and dialogue, describes the model performing the line in the chosen language as the shot renders, and lists region presets that adapt names and appearance. One publishes native audio in five languages without naming them. As of 2026-09-22.
| Tool | What is published | Detail |
|---|---|---|
| SceneMixer | 15 named | Interface, documents and dialogue; region presets |
| Kling AI | Five, counted | Native audio on VIDEO 3.0, not named |
| Arcloop | Stated, not counted | Dialogue, voiceover, narration and subtitles called multilingual |
| Pexo | Stated, not counted | The same cut dubbed with its timing preserved |
| Twenty-two other tools | Nothing published | No list and no count |
Inclusion rule. Statements on the vendor's own pages. A count is recorded as a count and never expanded into a list. Order. A named list first, then a count, then statements with no number, then silence.
1A market version is more than translated dialogue
Names, the ethnicity written into appearance descriptions, the street furniture in a scene and any text visible in frame all belong to a market. One tool here publishes presets that address those; nothing else in the register mentions them.
That is the field a production discovers late: the dialogue was localised and the world around it was not.
2Where the language decision sits changes the schedule
A line generated in the target language leaves no separate track to lay over finished footage. A team planning a dubbing pass is planning a different pipeline, with different vendors and a different timeline.
This is a scheduling fact rather than a quality one, and it is decidable from a published sentence without listening to anything.
3Five unnamed cannot answer a market question
A producer asking about Indonesian gets an answer from a list and no answer from a count. The register therefore does not order this column by size, since the larger number may be the less useful one.
Twenty-two tools publish neither, so for most of this register the market question has no published answer at all.
- Languages of the work15 named languages for interface, working documents and spoken dialogue alike, with Cantonese a sixteenth for dialogue onlya named list
- How a market version is producedThe model is described as performing the line in the chosen language while it renders the shot, with no separate dubbing step
- What changes besides the dialogueTarget-region presets adapt names, ethnicity in appearance descriptions, street scenes and on-screen text, applied once at parsing
- Languages of the workNative audio in five languages on VIDEO 3.0, not nameda count only
- Languages of the workMultilingual dialogue, voiceover, narration and subtitles are described as a way to adapt the same story for different marketsno list given
- Languages of the workThe same cut is stated to be dubbed into multiple languages with the timing preserved, with no list of languages givenstated without a count
4The words this register uses
Terms with a page of their own, each recording what vendors publish about it, include segment and shot, reference image, character consistency, storyboard script, scene plate, novel to video, AI short drama and vertical micro-drama.
5Sources
Each cell above traces back to a vendor page named in the register, read 2026-09-22. Where the boundary sits between documented, claimed and absent is spelled out under how read. Also here: Vertical by default, Per call, not per cast, Season length.