Assembly, as a step rather than an export
Assembly is the step that converts output into something publishable: shots in the right order, audio carried across the cut, captions where the platform expects them, and one file at the end. It is the emptiest column on this file and the most repetitive work in a run. As of 2026-09-12.
| How a page can name it | Example wording | What it still leaves open |
|---|---|---|
| As a composite | Episodes composited from segments | What the composite does to the audio |
| As a timeline | Everything assembled on a timeline | What can be adjusted on it |
| As an export | A captioned cut named as the export target | The caption format |
| As a publication | Publishing straight from the product | Whether a file can be taken elsewhere |
| As an output | Export-ready episodes among the outputs | How the join was performed |
Inclusion rule. Five shapes a published assembly statement can take, drawn from the wording on this file. Describing the generation of shots alone is not recorded as assembly. Order. From the most mechanical wording to the least.
1Silence here is a staffing decision in disguise
Every product on this file produces segments and every series needs instalments, so assembly happens whether or not a page mentions it. Where it is unmentioned, it moves to somebody with an editing application and gets done once per episode, forty times.
That is a perfectly ordinary place for the step to live. It is also a cost discovered after the generation budget has been approved, which is why the blank is recorded rather than waved through.
2Naming a stage and pricing one are different commitments
A vendor does not bill for work it expects the customer to do elsewhere, so a rate against the join proves the join is inside the product. Naming it without a unit leaves a producer guessing at what a twenty-minute instalment costs to put together.
Two pages on this file carry a unit. The rest name the step, or say nothing, and both of those are recorded as they stand.
3What no page on this file says about assembly
Whether audio is levelled across a cut, whether the last frame of one segment is matched to the first of the next, and whether a retake can be dropped in without rebuilding the instalment around it. All three decide whether the file is deliverable or a first draft.
The second attempt is the question underneath all of it. Series work is mostly re-cutting, and a product that rebuilds an episode for a four-second change has a different cost profile from one that does not.
4Where these figures come from
A definition kept for this register: the term, and what vendors state about it, each figure read on 2026-09-12. The tools themselves are on the register. Related: Draft pass, Aspect ratio.